What it comes down to is simply this вЂ“ if you have a pair of accurate headphones (more on that in a minute) and you know what good music sounds like on those cans, then you have a monitoring standard with which to make accurate microphone choice and placement decisions. No matter where you record (on the go, in another studio) playback on those headphones is consistent. No matter what your room sounds like, playback on those headphones is consistent. They allow you to hear your tracks in isolation and with consistency every single time. not super cheap) headphones is so valuable вЂ“ as the gold monitoring standard.

So even though things like proper mic choice and strategic mic placement are the key to killer recordings (beyond talent and performance of course) youвЂ™re working from a disadvantage if you canвЂ™t hear every nuance of the instrument youвЂ™re tracking. The common situation for us home studio owners is a simple one room setup вЂ“ and chances are very high that the room doesnвЂ™t sound very good to begin with.

Unless you have a dedicated control room that is acoustically tuned and treated, then you have no way of knowing what your recordings are really sounding like on tracking day. ItвЂ™s funny how much emphasis is put on microphones, preamps, and converters when it comes to recordings, and yet no one seems to talk about whether or not you can hear what those performances really sound like. ThatвЂ™s right, the most powerful recording tool you could have is a pair of studio headphones.

Not only that, it doubles as a powerful mixing tool as well.ДЄnd the best part вЂ“ you probably already own it. What if I told you there was a recording tool so powerful that it could help you get the best sounding tracks, no matter where you record or what gear you record with?

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